Albert Bierstadt
Albert Bierstadt's Oil Paintings
Albert Bierstadt Museum
Jan 8, 1830 - Feb 18, 1902. German-American painter.

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Michelino da Besozzo
The Mystic Marriage of St Catherine, St John the Baptist, St Antony Abbot

ID: 32423

Michelino da Besozzo The Mystic Marriage of St Catherine, St John the Baptist, St Antony Abbot
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Michelino da Besozzo The Mystic Marriage of St Catherine, St John the Baptist, St Antony Abbot


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Michelino da Besozzo

Italian Early Renaissance Painter, active 1388-1450  Related Paintings of Michelino da Besozzo :. | Three Graces | Children Building Houses with Cards | Fishing in the Spring,Pont de Clichy (nn04) | View of a Small Town Square | Napoleon Bonaparte during his victorious campaign in Italy |
Related Artists:
Workshop of Anton von Maron
Anton von Maron (January 8, 1733 - March 3, 1808) was an Austrian painter, active in Rome. Von Maron was born in Vienna, but moved at a young age to Rome. There, he studied under Anton Raphael Mengs, and became an accomplished portrait painter. He married a sister of Mengs, Therese Maron, who was a painter in her own right. He lived the rest of his life in Rome, and died there in 1808.
Josefina Holmlund
(1827 -1905 ) - Painter
Bartholomeus Breenbergh
(before 13 November 1598 - after 3 October 1657) was a Dutch painter born in Deventer. Breenbergh established himself in Amsterdam and then in 1619 went to Rome. There he lived and worked with the Flemish painter Frans van de Kasteele and was heavily influenced by another Fleming, the landscape painter Paul Bril. From 1623, however, he came completely under the spell of Italian landscapes by the somewhat older Cornelis van Poelenburgheindeed, the works of Breenbergh and van Poelenburgh are sometimes very difficult of tell apart. Breenbergh in his turn influenced the French painter Claude Lorrain. Breenbergh was one of the founders of the Bentvueghels, where he was nicknamed "het fret". In 1633 Breenbergh returned to Amsterdam, where he remained until his death, and where he made paintings and etchings of Italian buildings. There he was influenced by the pre-Rembrandtists such as Pieter Lastman and Nicolaes Moeyaert, but he placed their Biblical and mythological scenes in Italian landscapes.






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